if this gets messy

April 23 - April 30, 2013

duration: 6 days & 28-hours

locations: Arastradero Preserve, S. Service Road (Stanford), Lausen St. approaching Thomas Welton Art Gallery (Stanford), Half Moon Bay State Beach, Bernal Heights Park, The Oval (Stanford), Piggott Theater (Stanford)

materials: ice, nylon rope, paint, text from Kierkegaard’s Repetition, metal buckets, black balloons, sticks, dirt, earth, wooden chairs, string, 23’x60’ canvas

if this gets messy was performed for 8 consecutive days. The piece foregrounds repetition in order to unsettle familiar patriarchal measures of progress.  

It began with six different site-based performances that took place in public space.

It culminated in a consecutive 28-hour performance that took place in a theater.

In the theater, the site-based performance scores were repeated. A seventh score, created for the theatre as its own environment, was added to the cycle of scores in hour 13.

Once I stepped onto the stage, I did not leave, take breaks, eat, drink, or sleep. As with all of my long durational performances, I had no clock with me on stage. 


Video archive of if this gets messy available on PerformVu

Day One: “Embrace” - Duration, 1-hour

with Ryan Tacata and Rebecca Ormiston - documented by Sarah Berkovich

Day Two: “Still Labor” - Duration, 1-hour

documented by Elizabeth Kohnke

Day 3: “Vibration” - Duration, 1-hour

documented by Sarah Berkovich

Day 4: “Relation” - Duration, 1-hour

with Kiyan Williams - documented by Sarah Berkovich

Day 5: “Wait” - Duration, 1-hour

documented by Elizabeth Kohnke

Day 6: “Bound” - Duration, 1-hour

documented by Elizabeth Kohnke

Days 7/8: if this gets messy - Duration: 28-hours

April 29th, 3pm - April 30th, 7pm

documented by Elizabeth Kohnke

hour zero, stepping onstage

hour 28, stepping offstage


Responses and Reflections

In the video below, choreographer Ann Carlson and Sculptor Terry Berlier respond to if this gets messy and talk with me immediately after the conclusion of the weeklong durational performance. Introductions by Helen Paris of Curious Theatre Company (UK).



CREDITS

if this gets messy by Raegan Truax

sound by: Derek Phillips

performers: Rebecca Ormiston, Kiyan Williams, Ryan Tacata

production team: Dante Belletti, Kellen Hoxworth, Brendon Martin, Angrette McCloskey (lighting), Sydney Skelton Simon

video: Sarah Berkovich, Elizabeth Kohnke

talkback: facilitated by Helen Paris with respondents Terry Berlier and Ann Carlson

additional support from Stanford University Production Staff in the Department of Theatre and Performance Studies